The Bohemian Switzerland National Park (Národní park České Švýcarsko), which was established on 1st January 2000 and covers an area of nearly 80km2, is the youngest national park in the Czech Republic. The park on its northern side borders and is linked to the Saxon Switzerland National Park in Germany, which was established in 1990 and covers an area of 93 km2. The mission of the National Park is to preserve the local territory in its full beauty and to enable natural processes to prevail in this area. Human interventions are only limited to activities which help restore the natural balance to the greatest extent. The focal point of the area protection is a unique sandstone rock town with the occurance of rare plant and animal species and islands of well-preserved woods. Natural values of the National Park have also been acknowledged within the European Union by including it in the prestigious list of European conservation areas called Natura 2000. With a click on the headline or the picture You find further information about tasks and aims of the national park, a broad section about the geology, fauna, flora and forests within the national park, an overview over the history and tourism and a detailed description of the different management fields of the national park Bohemian Switzerland.
Showing posts with label Czech Attracions. Show all posts
Showing posts with label Czech Attracions. Show all posts
Monday, February 24, 2014
Thursday, November 21, 2013
Bouzov Castle
Bouzov Castle (Czech: Hrad Bouzov) is an early 14th-century fortress first mentioned in 1317. It was built on a hill between the village of Hvozdek and the town of Bouzov, 21 km west of Litovel and 28 km northwest of Olomouc, in Moravia, Czech Republic. The castle has been used in a number of film productions lately, including Arabela, Fantaghirò, and Before the Fall. Bouzov was established at the turn of the 14th century with the purpose to watch over the trade route from Olomouc to Loštice. The minor aristocratic Bůz of Bludovec family were its first recorded owners from 1317-1339. The castle also takes its name from the family. Ownership of the castles was then changed, and the Lords of Kunštát were among the most important medieval owners. According to tradition, the Bouzov castle is often connected with name of the most famous member of this noble dynasty, Jiří z Poděbrady was born in Bouzov in 1420 and was crowned Czech King in 1458. His original title was Jiří of Kunštát and Bouzov. In 1558 the castle burned down, and lost much of its majestic quality. In the course of centuries there were several changes of proprietors; the castle was owned by the lords of Vildenberk, margrave Jošt, the Haugvic and the Pod Štatský families, and in 1696 the barony was bought by the grand master of the Teutonic Order, the Rhenish palsgrave Fanciscus Ludovicus. As various noble families changed possession of Bouzov, in a similar way also its appearance was changed from an early gothic castle to a Renaisssance style. In the time of the lords of Bouzov, the castle played mostly a defensive and guarding role. It probably consisted of a tower and rampart and wooden dwelling houses. The Vildenberks built a stony manor on the western side which was taller than the rampart. Already in the 14th century the castle was significantly widened - a settlement with outhouses was constructed with a ditch and circumvallation, rampart with a 200-foot-high (61 m tall) watchtower and a moat wall built around the castle. During the rule of the Kunštát family, the manor was fortified with a new connected rampart with two bastions, and the moat wall was rebuilt with five round bastions. Later a round gun-bastion was erected and the tallest watchtower was repaired. In 1408 the castle passed into the hands of Viktorin of Bouzov. In 1499 the Haugvics started the construction of a palace on the eastern side and connected the northern and southern dwelling building. In the first half of the 15th century t was converted into a Hussite stronghold, serving as a prison for captured Swedes during the Thirty Years war. In the second half of the 16th century the castle burned out and remained uninhabited. About a hundred years later, the reconstruction of the castle began again with the remodeling of the southern wing. At that time the castle had already lost its defensive function and became an utterly dwelling object. With the arrival of the Teutonic Order, during the 18th century the castle also lost this function. Only the building in the outer settlement remained inhabited, and by the end of the 19th century the ruin of the castle became a tourist goal. The castle gained today's appearance after massive Neo-gothic reconstruction between 1895 and 1910.[3] The Grand Master of the Order of the Teutonic Knights from 1799 to 1939, archduke Eugen Habsburg, decided to rebuilt it in the Romantic, predoninantly Neo-Gothic style, according to the plans of the prominent architects of its time Georg von Hauberisser (1841–1922) of the Munich Polytechnic University; he was the author of Munich and Saarbrücken's town-halls, and also very influential as builder of churches like the St. Paul's church in Munich. The alterations were carried out with the intention of making part of the castle open to the public. Bouzov was fitted with modern furnishings and equipment, including running water and central heating. The order was abolished in 1939 and the castle was confiscated by the fascists, occupied and looted by the Nazis during the WW II. The castle was acquired by the Chief of the Gestapo R. Himmler, who forced the Strahov Monastery to sell it to him for one million crowns, as a present to A. Hitler. Hauberrisser's reconstruction of the Bouzov castle is unique in the was given tocontext of European romantic architecture. After 1989 the Order of Teutonic Knights expressed an interest in the castle, but their request to have it returned to them has so far been rejected. An eight-storey watchtower, 58 meters high, dominates the complex. The buildings are grouped around it in the form of a horseshoe, and the castle is enhanced by a number of towers, and among other things, bastions, battlements, oriel windows and loopholes. The two long bridges, ending with a short drawbridge, span the deep dry moat around the castle. The knights' hall, armoury, which is in one of the few original rooms with preserved Gothic vaulting, bedrooms of the knights and a neo-gothic chapel with its Gothic altar and tombs occupy the central part of the castle. The valuable furniture comes from the private collection of Eugen von Habsburg and the collection of the Order of the Teutonic Knights. Since 1999 the castle has been a national monument.
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